Shadow Craft : visual aesthetics of black and white hindi cinema / Gayathri Prabhu, Nikhil Govind
By: Prabhu,Gayathri.
Contributor(s): Parbhu, Gayathri | Govind, Nikhil.
Publisher: New Delhi : Bloomsbury , 2021Description: vii, 233p.ISBN: 9789390176243.Subject(s): Black and white films -- India | shadow show -- India | Cinematography -- Framing (Cinematography) -- IndiaDDC classification: 791.430954 Summary: Shadow Craft is an ardent and immersive study of cinematic craftings that emblematise the oeuvres of Kamal Amrohi, Raj Kapoor, Nutan, Bimal Roy, Guru Dutt, and Abrar Alvi. Films such as Aag (1948), Mahal (1949), Seema (1955), Pyaasa (1957), Sujata (1959), Kagaz Ke Phool (1959), Sahib Bibi Aur Ghulam (1962), Bandini (1963) remain formative to the visual psyche of generations of South Asian viewers. This enduring visual language demonstrates a minutely attuned and sympathetic camera, evocative pools of shadow, affect-rich atmospheric composition, and the visual autonomy of performance.With seventy five rare and curated images from the archives, Shadow Craft offers for the first time a consolidated and intimate journey through this pioneering black and white cinema aesthetic at its most expressive and climactic moment.| Item type | Current location | Call number | Status | Date due | Barcode |
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NASSDOC Library | 791.430954 PRA-S (Browse shelf) | Available | 52211 |
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| 791.4302 SAN-G Gendered Modernity and Indian Cinema: | 791.430954 BAJ-O On & behind the Indian cinema / | 791.430954 PAU-D Dark Fear, Eerie Cities | 791.430954 PRA-S Shadow Craft : | 791.430954 RAG-S Seduced by the familiar: narration and meaning in India popular cinema | 791.430954 RAJ-I Indian cinema in the time of celluloid: from bollywood to the emergency | 791.430954 WAN-F Fantasy of modernity |
Shadow Craft is an ardent and immersive study of cinematic craftings that emblematise the oeuvres of Kamal Amrohi, Raj Kapoor, Nutan, Bimal Roy, Guru Dutt, and Abrar Alvi. Films such as Aag (1948), Mahal (1949), Seema (1955), Pyaasa (1957), Sujata (1959), Kagaz Ke Phool (1959), Sahib Bibi Aur Ghulam (1962), Bandini (1963) remain formative to the visual psyche of generations of South Asian viewers. This enduring visual language demonstrates a minutely attuned and sympathetic camera, evocative pools of shadow, affect-rich atmospheric composition, and the visual autonomy of performance.With seventy five rare and curated images from the archives, Shadow Craft offers for the first time a consolidated and intimate journey through this pioneering black and white cinema aesthetic at its most expressive and climactic moment.
English
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